My story, “English Muffin, Devotion on the Side,” is up on the Daily Science Fiction site. Please let me know what you think, and spread the word if you like it!
I’m finishing up my essay and the story edits for the Women Destroying Fantasy issue of Lightspeed, as well as some other articles, trying to get those finished before hitting the road. Stories coming out soon include pieces in Beneath Ceaseless Skies, 3-Lobed Burning Eye and Shattered Shields (edited by Jennifer Brozek and Bryan Thomas Schmidt).
I’m going to be setting up a Patreon campaign, because I’ve got a big backlog of stories and figure releasing them on my own while on the road will probably work as well as worrying about keeping them submitted. If you might be interested in subscribing to get two short stories each month, please sign up for my mailing list, and drop me a comment here to let me know what sort of things you might like to accompany that. What sort of cost would be appropriate for a subscription that lets you supply a prompt or get a Tuckerization, for example?
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In three days, I become Vice President of the Science Fiction and Fantasy Writers of America. I look forward and am somewhat daunted by the prospect.
Today I am putting down linoleum as the next part of the great remodel while Wayne does some sanding. We’re still on track to leave July 15, +/-3 days. We’ll be heading eastward, with stops planned in Utah, Colorado, Kansas, Indiana, and Philly-area, arriving towards the end of July. August we’ll spend some time knocking around on the eastern seaboard, and towards the end of that month, we will go somewhere. Just not sure where, but Australia, Europe, and South America are among the strong contenders, continent wise.
Love the Easter Bunny and want to find out what happens next? Support Cat on Patreon in order to have a say in what she writes next, as well as getting other snippets, insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.
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In reading for Women Destroy Fantasy, I’ve cleared about two hundred stories away so far, and there’s still about a hundred I have yet to read. Some amazing stuff, some familiar names, and all in all, a slush pile that is full enough of solid stories that I could fill several issues. It’s been a great pleasure to be elbow deep in so much excellence. So here’s a few notes on the experience so far.
In my head, I have these slots:
My criteria? I want good stories that will stick in the reader’s head and keep them thinking long after they’re done reading. I want lovely prose — but not so lovely that it eclipses the story. I want heart — I’m still looking for a story in the pile that makes me cry.
Other observations:
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I was just at a Kristine Rusch and Dean Wesley Smith workshop where people were using the idea of reader “cookies” and “anti-cookies”, things that delight or turn-off a specific editor, increasing or decreasing the appeal of a story when they’re considering it.
So I’ll be open to submissions from March 15 through March 31 for the Women Destroying Fantasy issue. Here are some of my wants and a couple of things that will turn me off.
- I want fantasy that showcases the amazing emotional range of the genre and the spectrum of forms it can take.
- I’ll want at least one tearjerker and one humorous piece.
- I’ll want something that draws on fairytale or myth, but which does so in an amazing, interesting, and fresh way, and I’m hoping to find something that feels urban fantasy-ish as well, also in a fresh and interesting way.
- Fantasy that often hits well with me: superheroes, non-cutesy talking animals, linguistic-related, the weird.
- I like language: make yours wonderful, but never at the cost of the story.
- Your character should make me care about their fate (and for this issue, probably a female protagonist is, quite frankly, probably going to be a better fit).
- I’ll want at least one piece with an utterly amazing landscape, that immerses me in a fantasy world that delights my heart.
- Diversity does matter to me. It doesn’t trump quality, but when you’re going to be up against the very best, score your points where you can.
I don’t want retellings of D&D adventures. Or pirates. I really don’t like pirates (got exposed to an awful lot of fantasy pirate stories while at Fantasy Magazine) and I’m not particularly fond of zombies. Typos are another big turn-off: proofread your work.
This is not a time to go for the low-hanging fruit or play it safe. I have four, count ’em, four slots. Send me something — but make it the very best you have, something that is unique to your voice, something that you and only you could write.
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There’s plenty of room left in my upcoming online classes.
The first part of my Asimov’s story, All the Pretty Little Mermaids, is up online.
Kate Baker does a beautiful job with the audio version of “Tortoiseshell Cats are Not Refundable”
For Writers:
Books I talked about these books for You Should Read This:
Things of Note:
Timewasters!:
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Here is some of the stuff that appeared on my blog and social media in the week ending 1/26/2014.
Stuff I posted on the blog:
I announced I am running for SFWA Vice President. #sfwapro is a tag you’ll be seeing on posts intended to appear on the @sfwaauthors feed as well.
The Women Destroying SF Kickstarter will sponsor my destroying Fantasy if they hit a $35k stretch goal.
I talked about my January writing news and provided a teaser from a still-untitled steampunk piece
Stuff for Writers:
In the new You Should Read This series, I read:
I blurbed this book by Django Wexler.
Time Wasters!
Interesting Social Media Links:
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Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, flash story) Discretion was the company’s watchword, or so Tiffany had been assured by Maria, who lived two floors down and had done it three months ago. No one needed to know. The technician was a thin blond youth, the left half of their face a conservative faux-tribal tattoo medley, almost retro, dressed in a bland-patterned coverall. They carried a slim silver box, briefcase shaped and sized, the handle set on one of the smaller sides.
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