It’s been a great year. Here’s some highlights. I have tried to identify what length and genre everything is, as well as where you can get it. The podcast I work with, IF THIS GOES ON (Don’t Panic), is eligible for Hugo nominations.
In January, my story “Shot Through with Shards of Light” appeared in SPACE: 1975, SPACE OPERA STORIES, 70S STYLE edited by Robert Jeschonek. This story is set in the same universe as my space opera, YOU SEXY THING, and grew out of thinking about a particular aspect of that universe.
March of 2021, my short story “Crazy Beautiful” appeared in The Magazine of F&SF as part of Sheree Renee Thomas’s inaugural issue. This story is very important to me, speaking about something that I deeply care about, and I’ve been stoked that so many people liked it. It is my only story that starts with a Bob Ross quote. Rich Horton said of it, “Perhaps my favorite story from early in 2021.”
In April, Jennifer Brozek and I turned in the manuscript for our co-edited anthology, THE REINVENTED HEART. So exciting! I got a piece of game writing in, with “The Sisterhood of the Shovel,” which appeared in THE WELL from Shoeless Pete Games.
My Beneath Ceaseless Skies novelette, Every Breath a Question, Every Heartbeat an Answer, also appeared in April. This is a Tabat story, and features the protagonists of “Hoofsore and Weary” and “Brittle Are My Boughs, And Sorrowful My Heart.”
Some things reviewers said about Every Breath a Question, Every Heartbeat an Answer
In May, the third book of the Tabat Quartet, EXILES OF TABAT, appeared from Wordfire Press. In it, Bella, Teo, and Lucy all adventure outside the city, with very different results. The final book, GODS OF TABAT, will appear in 2022.
In July, a story that my spouse Wayne and I wrote together, “Stand and Deliver,” appeared in DARK MATTER magazine. It’s a story of fatherhood and time travel…sort of.
In August I actually did some traveling. I went to Laramie, Wyoming, and was part of the Laucnh Pad workshop, an effort aimed at getting more science into one’s science fiction, and I learned so much that I’ve got an entire notebook’s worth of notes.
In October, my flash piece “A Tourist’s Guide to Terror,” appeared in Jennifer Brozek’s anthology, 99 TINY TERRORS.
In early November, my collaboration with Jermaine Martin, “Riders of the Void,” appeared in GUNFIGHT ON EUROPA STATION, edited by David Boop. We took one of my favorite westerns, “Shane,” and used it as the spark to start our story and I’m pleased with the result!
In mid-November, my long-delayed space opera, YOU SEXY THING, appeared finally! Amazon named it one of the 20 best F&SF books of 2021 and there’s been some great reviews. Here’s some of what people have said.
I did a lot of other stuff, like teaching for the Norwescon Writers Workshop, Cascade Writers, Williamette Writers, and Clarion West. I read for Older Writer’s Grant for Speculative Lit Foundation as well as for a middle grade contest. I did a holy crapton of readings, and plenty of panels, which I should have tracked better in order to include here.
The school did nicely again this year and I added several on-demand classes of my own:
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Only a few more days until the book launch and I am super stoked. This Sunday is my birthday and we’re going out for a special festive dinner, and then I launch into a week of frenzied activity in which I will be book shilling right and left for a bit.
Thank you SO much to everyone who’s pre-ordered or reviewed an ARC. If you would like a signed bookplate, this post has info on how to get one as well as preorder links for Powells, Amazon, Audible, Barnes & Noble.
Here’s what’s coming up next week for the book launch!
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I’m counting down the days till YOU SEXY THING comes out. It’s not my first published novel, but it’s my first one with a major publisher, Tor Macmillan, and it’s a book that I have enjoyed writing SO much! I just turned in book 2, have started book 3, and have notes for more along the way.
“Farscape meets the Great British Bake-off” is how they’ve been billing the book. If you’ve missed the hoopla so far, it’s the story of a band of former mercenaries who’ve opened a restaurant on a space station and are doing well, so well a critic may be about to bestow a coveted Nikkelin Orb on the restaurant. But then a mysterious package arrives, things start exploding, and they have to steal a ship to escape. But that ship’s intelligent, and it’s not so sure it wants to be stolen.
Some of the reviews so far:
Please preorder if that sounds interesting! Here’s some links for doing so.
University Bookstore
Powell’s
Barnes and Noble
Amazon
Audible
Or request it from your local library! Most library systems have a webform for requesting books that you want to see them acquire. Here’s the information you might need for that:
ISBN-10 “ : “Ž 125026930X
ISBN-13 “ : “Ž 978-1250269300
I have some bookplates if you’d like to get a dedication and signature for your copy. Mail me a shot of the receipt, your mailing address, and how you’d like the dedication made out.
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Things keep moving along well and I thought I’d check in. My reward for winning a Nebula is that I’m using part of teaching plus Storybundle money to upgrade my workspace. I just put in the order for a fancy standing desk and stool, and am going to retire my faithful IKEA hack deck that I’ve been using the last six years or so.
This will be a much wider workspace, so it also means I can pick up a second monitor and have a lot more real estate when teaching/writing. I had that with my former set-up and it really made a difference when working. I’ve been holding off on this while waiting to move and finally figured I might as well go ahead, since it seems likely we’re here for the duration.
As to why I feel justified in rewarding myself, it’s productivity and nose to the grindstone! Here’s some testimony to 2020’s work in the form of my current writing/editing projects and where they stand:
The space opera series: The copy-edits for You Sexy Thing are in and the editor didn’t mind that I shifted around a couple of scenes in doing them. The listing is up! Still waiting to see what the cover looks like. The second book is currently at incoherent first draft status. Need to start pulling notes together for book three.
The Tabat quartet: Finishing up Exiles of Tabat ASAP is the current big project on deck. I also have some notes for the final book that I need to start putting in one place.
Baby Driver: Need to catch up on writing this. I have someone interested in publishing the final product, and I would also like to do it as a comic book, so I’ve got 3-4 pages of that script written.
Books hovering in the wings: a rewrite of the MG book, a literary horror stand-alone, a Tank Girl/Harley Quinn/Doctor Strange mash-up set in post-apocalyptic Seattle (stand-alone?); fleshing out an existing project that will be a literary SF novella.
Upcoming publications: Because It is Bitter (novella) in AND THE LAST TRUMP SHALL SOUND; Every Breath a Question, Every Heartbeat an Answer (novelette) in BENEATH CEASELESS SKIES; Crazy Beautiful (story) in THE MAGAZINE OF FANTASY & SCIENCE FICTION; Snowflakes (story) in LAST CITIES OF EARTH; Stand and Deliver (story, with Wayne Travis Rambo ) in DARK MATTER MAGAZINE ; I Decline (flash) in DAILY SCIENCE FICTION).
Current story projects: a space western short story in collaboration for an anthology request; a space opera short story for an anthology request; a near future caper novella; a near future SF story, the usual smattering of flash.
I also have an upcoming anthology project that I just finished looking over the contract for; look for slush reader calls and guidelines soon but don’t mail me until they’re posted!
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, story) Each day began with that horrible moment when he put a hand out to touch Mindy’s shoulder—hey, honey, I had this awful dream you died, in a boating accident, no less, when was last time we were on a boat. Then the stomach dropping realization, sudden as stepping out into an elevator shaft.
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